Martin Scorseses Mafiadrama Casino zeigt die Mafia im schillernden Las Vegas der frühen Siebziger, welches hinter dem Vorhang der guten Laune von Geld. In der glanzvollsten Ära von Las Vegas steigt der Profizocker Sam `Ace' Rothstein an die Spitze des Milliarden-Dollar-Imperiums auf. Um das Investment weiter auszubauen, stellen ihm die Drahtzieher seinen besten Freund aus alten Zeiten, den. Über Filme auf DVD bei Thalia ✓»Casino«und weitere DVD Filme jetzt online bestellen!
Casino (Film)Das reale Vorbild aus Pileggis Tatsachenroman ist Frank „Lefty“ Rosenthal, der im Film Sam Rothstein entspricht. Scorsese seziert die Arbeitsmethoden der Mafia. Casino. Leben und Sterben in Las Vegas. Las Vegas, Nevada, in den siebziger Jahren, wie der Regisseur Martin Scorsese es sieht. Es leuchtet. Zunächst aber. Über Filme auf DVD bei Thalia ✓»Casino«und weitere DVD Filme jetzt online bestellen!
Casino Scorsese Navigationsmenü VideoCasino (4/10) Movie CLIP - For Ginger, Love Costs Money (1995) HD
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Crazy Credits. Alternate Versions. Rate This. A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive compete against each other over a gambling empire, and over a fast living and fast loving socialite.
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Visioni dal mondo. Festival MoliseCinema. Cannes a Roma. Dragon Film Festival. Florence Korea Film Festival. In , Sam fires slot manager Don Ward for incompetence.
When Ward's brother-in-law, Clark County Commission chairman Pat Webb, fails to convince Sam to rehire Don, Webb arranges for Sam's gaming license to be denied, jeopardizing his position.
Sam blames Nicky's recklessness for ongoing police and Nevada Gaming Board pressure, and the two argue furiously in the Mojave desert.
Sam starts hosting a local television talk show, upsetting both Nicky and the Chicago bosses for making himself such a public figure and bringing unwanted attention to their operations.
Piscano writes everything he knows about the operations in a notebook. Sam seeks to divorce Ginger, who kidnaps their daughter, planning to flee to Europe with her and Lester.
Sam convinces Ginger to return with Amy, then overhears her planning on the phone to kill him. Sam kicks her out of their home but later relents.
Ginger approaches Nicky to get her valuables from Sam's safe deposit box, and the two start an affair. Sam confronts and disowns Ginger, and ends his friendship with Nicky.
Nicky throws Ginger out when she demands he kill Sam. Drunk and furious, Ginger crashes her car into Sam's on the driveway and retrieves the key to their deposit box.
She takes the contents of the box but is arrested by the FBI as a witness. In , the FBI closes the casino and Green eventually cooperates with them.
Piscano dies of a heart attack when federal agents discover his notebook. The bosses are arrested and put on trial, and start to arrange the murders of anyone who might testify against them and prolong their subsequent sentences.
Ginger dies of a drug overdose, and Sam barely escapes death by a car bomb , suspecting Nicky to be the culprit.
Before Sam can take revenge, the bosses, angered by Nicky's legal issues and apparent unauthorized attempt on Sam's life, order Frankie and his crew to ambush Nicky and Dominick.
Under the impression that they are attending a meetup in an Indiana cornfield, they are beaten with baseball bats, covered in quicklime , and buried alive in a shallow grave.
With the mob now out of licensing fronts, big corporations buy and demolish the casinos to make way for new, larger hotel casinos, which Sam laments.
He retires to San Diego and lives as a sports handicapper, ending up in his own words, "right back where I started".
The research for Casino began when news reporter and screenwriter Nicholas Pileggi read a report from the Las Vegas Sun about a domestic argument between Frank "Lefty" Rosenthal , a casino figure, and his wife Geri McGee , a former topless dancer.
Argent was owned by Allen Glick, but the casino was believed to be controlled by various organized crime families from the Midwest. This skimming operation, when uncovered by the FBI, was the largest ever exposed.
Pileggi contacted Scorsese about taking the lead of the project, which became known as Casino. Scorsese and Pileggi collaborated on the script for five months, towards the end of From this work onwards, Scorsese's films are always labeled as "A Martin Scorsese Picture" on promotional material.
Raging Bull , filmed in high contrast black and white, is where Scorsese's style reached its zenith: Taxi Driver and New York, New York had used elements of expressionism to replicate psychological points of view, but here the style was taken to new extremes, employing extensive slow-motion, complex tracking shots, and extravagant distortion of perspective for example, the size of boxing rings would change from fight to fight.
Although the screenplay for Raging Bull was credited to Paul Schrader and Mardik Martin who earlier co-wrote Mean Streets , the finished script differed extensively from Schrader's original draft.
The final draft was largely written by Scorsese and Robert De Niro. It is a satire on the world of media and celebrity, whose central character is a troubled loner who ironically becomes famous through a criminal act kidnapping.
Visually, it was far less kinetic than the style Scorsese had developed previously, often using a static camera and long takes.
It still bore many of Scorsese's trademarks, however. The King of Comedy failed at the box office, but has become increasingly well regarded by critics in the years since its release.
German director Wim Wenders numbered it among his 15 favorite films. This led to a more significant acting appearance in Bertrand Tavernier 's jazz film Round Midnight.
He also made a brief venture into television, directing an episode of Steven Spielberg 's Amazing Stories. With After Hours , Scorsese made an esthetic shift back to a pared-down, almost "underground" film-making style.
Filmed on an extremely low budget, on location, and at night in the SoHo neighborhood of Manhattan, the film is a black comedy about one increasingly misfortunate night for a mild New York word processor Griffin Dunne and features cameos by such disparate actors as Teri Garr and Cheech and Chong.
Although adhering to Scorsese's established style, The Color of Money was the director's first official foray into mainstream film-making.
The film finally won actor Paul Newman an Oscar and gave Scorsese the clout to finally secure backing for a project that had been a longtime goal for him: The Last Temptation of Christ.
In , Scorsese began work on this long-cherished personal project. The Last Temptation of Christ , based on the novel written by Nikos Kazantzakis , retold the life of Christ in human rather than divine terms.
Barbara Hershey recalls introducing Scorsese to the book while they were filming Boxcar Bertha. In the version, these roles were played by Willem Dafoe and David Bowie respectively.
However, following his mids flirtation with commercial Hollywood, Scorsese made a major return to personal filmmaking with the project, which was ultimately released in Even prior to its release, the film adapted by Taxi Driver and Raging Bull veteran Paul Schrader caused a massive furor, with worldwide protests against its perceived blasphemy effectively turning a low-budget independent film into a media sensation.
In , Scorsese directed the 18 minute short film Bad featuring Michael Jackson and Wesley Snipes in his film debut. The short also serves as a music video and was shot in the Hoyt—Schermerhorn Streets station in Brooklyn over a 6-week period during November and December The short film's cinematographer was frequent Scorsese collaborator Michael Chapman.
The dancing and filmmaking was heavily influenced by the film West Side Story. Scorsese also noted the influence of his own film Taxi Driver in Spike Lee 's documentary about the 25th anniversary of the short titled, Bad 25 Looking past the controversy, The Last Temptation of Christ gained critical acclaim and remains an important work in Scorsese's canon: an explicit attempt to wrestle with the spirituality underpinning his films up until that point.
The director went on to receive his second nomination for a Best Director Academy Award again unsuccessfully, this time losing to Barry Levinson for Rain Man.
As a separate film project, and along with directors Woody Allen and Francis Ford Coppola in , Scorsese provided one of three segments in the portmanteau film New York Stories , called "Life Lessons".
Roger Ebert 's gave the film a mixed review, while praising Scorsese's short as "really successful". After a decade of films considered by critics to be mixed results, some considered Scorsese's gangster epic Goodfellas his return to directorial form, and his most confident and fully realized film since Raging Bull.
De Niro and Joe Pesci offered a virtuoso display of Scorsese's bravura cinematic technique in the film and re-established, enhanced, and consolidated his reputation.
After the film was released, Roger Ebert , a friend and supporter of Scorsese, named Goodfellas "the best mob movie ever".
It is ranked No. On the updated version, they moved Goodfellas up to No. In , he released his only short-form documentary: Made in Milan about fashion designer Giorgio Armani.
The following year brought Cape Fear , a remake of a cult movie of the same name and the director's seventh collaboration with De Niro.
Another foray into the mainstream, the film was a stylized thriller taking its cues heavily from Alfred Hitchcock and Charles Laughton 's The Night of the Hunter Cape Fear received a mixed critical reception and was lambasted in many quarters for its scenes depicting misogynistic violence.
However, the lurid subject matter gave Scorsese a chance to experiment with visual tricks and effects. The film garnered two Oscar nominations.
The film also marked the first time Scorsese used wide-screen Panavision with an aspect ratio of 2. Scorsese's cameo appearance in the Robert Redford film Quiz Show is remembered for the telling line: "You see, the audience didn't tune in to watch some amazing display of intellectual ability.
They just wanted to watch the money. The Age of Innocence was a significant departure for Scorsese, a period adaptation of the Edith Wharton novel about the constrictive high society of lateth century New York.
It was highly lauded by critics upon its original release but was a box office bomb , making an overall loss.
As noted in Scorsese on Scorsese by editor—interviewer Ian Christie, the news that Scorsese wanted to make a film about a failed 19th-century romance raised many eyebrows among the film fraternity; all the more when Scorsese made it clear that it was a personal project and not a studio for-hire job.
Scorsese was interested in doing a "romantic piece", and he was strongly drawn to the characters and the story of Wharton's text.
Scorsese wanted his film to be as rich an emotional experience as the book was to him rather than the traditional academic adaptations of literary works.
To this end, Scorsese sought influence from diverse period films that had had an emotional impact on him. Although The Age of Innocence was ultimately different from these films in terms of narrative, story, and thematic concern, the presence of a lost society, of lost values as well as detailed re-creations of social customs and rituals continues the tradition of these films.
It came back into the public eye, especially in countries such as the UK and France, but still is largely neglected in North America.
This was Scorsese's first film to be shot on Super 35 format. Casino , like The Age of Innocence before it, focused on a tightly wound male whose well-ordered life is disrupted by the arrival of unpredictable forces.
The fact that it was a violent gangster film made it more palatable to the director's fans who perhaps were baffled by the apparent departure of the earlier film.
Casino was a box office success,  and it received generally positive notices from critics. Comparisons were drawn to his earlier film Goodfellas , and Scorsese admitted Casino bore a superficial resemblance to it, but he maintained that the story was significantly larger in scope.
During the filming, Scorsese played a background part as a gambler at one of the tables. Scorsese still found time for a four-hour documentary in , titled A Personal Journey with Martin Scorsese Through American Movies , offering a thorough trek through American cinema.
It covered the silent era to , a year after which Scorsese began his feature career. He said, "I wouldn't feel right commenting on myself or my contemporaries.
Griffith or F. Murnau, who created new editing techniques among other innovations that made the appearance of sound and color possible later on; 3 the director as a smuggler—filmmakers such as Douglas Sirk , Samuel Fuller, and Vincente Minnelli , who used to hide subversive messages in their films; and 4 the director as iconoclast.
In the preface to this documentary, Scorsese states his commitment to the "Director's Dilemma", in which a successful contemporary director must be pragmatic about the realities of getting financing for films of personal esthetic interest by accepting the need of "making one film for the studio, and then making one for oneself.
If The Age of Innocence alienated and confused some fans, then Kundun went several steps further, offering an account of the early life of Tenzin Gyatso, the 14th Dalai Lama , the People's Liberation Army 's entry into Tibet , and the Dalai Lama's subsequent exile to India.
Not only a departure in subject matter, Kundun saw Scorsese employing a fresh narrative and visual approach. Traditional dramatic devices were substituted for a trance-like meditation achieved through an elaborate tableau of colorful visual images.
Initially defiant in the face of pressure from Chinese officials, Disney has since distanced itself from the project, hurting Kundun ' s commercial profile.
In the short term, the sheer eclecticism in evidence enhanced the director's reputation. In the long term, however, it appears Kundun has been sidelined in most critical appraisals of the director, mostly noted as a stylistic and thematic detour.
Kundun was the Scorsese's second attempt to profile the life of a great religious leader, following The Last Temptation of Christ.
Bringing Out the Dead was a return to familiar territory, with the director and writer Paul Schrader constructing a pitch-black comic take on their own earlier Taxi Driver.
It received generally positive reviews,  although not the universal critical acclaim of some of his other films. On various occasions Scorsese has been asked to present the Honorary Academy Award during the Oscar telecast.
When accepting the award Donen quipped, "Marty this is backwards, I should be giving this to you, believe me". This would be a controversial pick for the Academy due to Kazan's past history regarding his involvement with the Hollywood Blacklist in the s.
Like The Age of Innocence , it was set in 19th-century New York, although focusing on the other end of the social scale and like that film, also starring Daniel Day-Lewis.
The film marked the first collaboration between Scorsese and actor Leonardo DiCaprio , who became a fixture in later Scorsese films.
The production was highly troubled, with many rumors referring to the director's conflict with Miramax boss Harvey Weinstein.
The final cut of the movie ran to minutes, while the director's original cut was over minutes long. Originally filmed for a release in the winter of to qualify for Academy Award nominations , Scorsese delayed the final production of the film until after the beginning of ; the studio consequently delayed the film until its release in the Oscar season of late The following year, Scorsese completed production of The Blues , an expansive seven-part documentary tracing the history of blues music from its African roots to the Mississippi Delta and beyond.
At that time, he established Sikelia Productions. Scorsese's film The Aviator is a lavish, large-scale biopic of eccentric aviation pioneer and film mogul Howard Hughes and reunited Scorsese with actor Leonardo DiCaprio.
The film received highly positive reviews. In January The Aviator became the most-nominated film of the 77th Academy Awards nominations, nominated in 11 categories including Best Picture.
The film also garnered nominations in nearly all the other major categories, including a fifth Best Director nomination for Scorsese.
Despite having the most nominations, the film won only five Oscars. No Direction Home is a documentary film by Scorsese that tells of the life of Bob Dylan, and his impact on American popular music and the culture of the 20th century.
The film does not cover Dylan's entire career; it focuses on his beginnings, his rise to fame in the s, his then- controversial transformation from an acoustic guitar-based musician and performer to an electric guitar-influenced sound and his "retirement" from touring in following an infamous motorcycle accident.
A DVD version of the film was released the same month. In addition, Scorsese received an Emmy nomination for it. The Departed opened to widespread critical acclaim, with some proclaiming it as one of the best efforts Scorsese had brought to the screen since 's Goodfellas ,   and still others putting it at the same level as Scorsese's most celebrated classics Taxi Driver and Raging Bull.
Presented with the latter, Scorsese poked fun at his track record of nominations, asking, "Could you double-check the envelope? Shine a Light captures rock and roll band The Rolling Stones ' performing at New York City's Beacon Theater on October 29 and November 1, , intercut with brief news and interview footage from throughout their career.
The film was initially scheduled for release on September 21, , but Paramount Classics postponed its general release until April Its world premiere was at the opening of the 58th Berlinale Film Festival on February 7, That's a movie maker rather than a guy just shooting a band onstage… It's not Casablanca , but it's a great thing to have from our point of view, not being egotistical.
It's a document. In , Scorsese signed a petition in support of director Roman Polanski , calling for his release from custody after he was detained in relation to his sexual abuse charges.
Principal photography on the Laeta Kalogridis screenplay, based on the novel of the same name by Dennis Lehane , began in Massachusetts in March The film was released on February 19, In addition to directing the pilot for which he won the Primetime Emmy Award for Outstanding Directing , Scorsese also served as an executive producer on the series.
Scorsese directed the three-and-a-half-hour documentary George Harrison: Living in the Material World about the life and music of former Beatles ' member George Harrison , which premiered in the United States on HBO over two parts on October 5 and 6, The film has been met with critical acclaim   and earned Scorsese his third Golden Globe Award for Best Director.
The film was also nominated for 11 Academy Awards, winning five of them and becoming tied with Michel Hazanavicius 's film The Artist for the most Academy Awards won by a single film in Scorsese's film, The Wolf of Wall Street ,  is an American biographical black comedy based on Jordan Belfort 's memoir of the same name.
The film marked the fifth collaboration between Scorsese and DiCaprio and the second between Scorsese and Winter after Boardwalk Empire.
It was released on December 25, The film tells the story of a New York stockbroker, played by DiCaprio, who engages in a large securities fraud case involving illicit stock manipulation, by way of the practice of " pump and dump ".
The series stars Bobby Cannavale as Richie Finestra, founder and president of a top-tier record label, set in s New York City's drug-and sex-fueled music business as punk and disco were breaking out, all told through the eyes of Finestra trying to resurrect his label and find the next new sound.
Filming began on July 25, The short film featured the two actors, playing fictionalized versions of themselves, competing for a role in Scorsese's next film.
It was Scorsese's first collaboration with De Niro in two decades. He had originally planned Silence as his next project following Shutter Island.
By November , the film had completed post-production. Part documentary, part concert film, part fever dream, Rolling Thunder is a one of a kind experience, from master filmmaker Martin Scorsese.
In July , Scorsese started scouting locations in preparation for the filming of his next film Killers of the Flower Moon , a film adaptation of the book of the same name by David Grann.
Several recurring filmmaking techniques are identifiable in many of Scorsese's films. He has established a filmmaking history which involves repeat collaborations with actors, screenwriters, film editors, and cinematographers, sometimes extending over several decades, such as that with recurring cinematographers Michael Ballhaus, Robert Richardson, and Rodrigo Prieto.
His blonde leading ladies are usually seen through the eyes of the protagonist as angelic and ethereal; they wear white in their first scene and are photographed in slow motion— Cybill Shepherd in Taxi Driver ; Cathy Moriarty 's white bikini in Raging Bull ; Sharon Stone's white minidress in Casino.
In The Age of Innocence , for example, he appears in the non-speaking role of a large format portrait photographer in one of the passing scenes of the film.
He provides the opening voice-over narration in Mean Streets and The Color of Money ; plays the off-screen dressing room attendant in the final scene of Raging Bull , and provides the voice of the unseen ambulance dispatcher in Bringing Out the Dead.
In a similar manner, Scorsese considered Silence a "passion project": it had been in development since , two years after the release of his film The Last Temptation of Christ , which also contained strongly religious themes.
As you get older, ideas go and come. Questions, answers, loss of the answer again and more questions, and this is what really interests me.
Yes, the cinema and the people in my life and my family are most important, but ultimately as you get older, there's got to be more Silence is just something that I'm drawn to in that way.
It's been an obsession, it has to be done More recently, his films have featured corrupt authority figures, such as policemen in The Departed  and politicians in Gangs of New York  and The Aviator.
Scorsese's interest in political corruption as depicted in his films was expanded further in his film The Irishman.
Richard Brody writing for The New Yorker found the main interpretation of the film to be a dark allegory of a realist reading of American politics and American society stating:.
The real-life Hoffa The Irishman is a sociopolitical horror story that views much of modern American history as a continuous crime in motion, in which every level of society—from domestic life through local business through big business through national and international politics—is poisoned by graft and bribery, shady deals and dirty money, threats of violence and its gruesome enactment, and the hard-baked impunity that keeps the entire system running.
Scorsese often casts the same actors in his films, particularly Robert De Niro, who has collaborated with Scorsese on nine feature films and one short film.
After the turn of the century, Scorsese found a new muse with younger actor Leonardo DiCaprio, collaborating on five feature films and one short to date.
Before their deaths, Scorsese's parents, Charles Scorsese and Catherine Scorsese , appeared in bit parts, walk-ons or supporting roles, such as in Goodfellas.
In , Scorsese married his first wife Laraine Marie Brennan, and they remained together for six years between and ; they have a daughter, Catherine, who was named after his mother.
As Scorsese has commented, "I'm a lapsed Catholic. But I am Roman Catholic; there's no way out of it. In , Scorsese married the writer Julia Cameron , his second marriage; they have a daughter Domenica Cameron-Scorsese , who is an actress and appeared in The Age of Innocence , but the marriage lasted only a year.
The divorce was acrimonious and served as the basis of Cameron's first feature, the dark comedy God's Will ,  which also starred their daughter, Domenica.
Before the end of , Scorsese married actress Isabella Rossellini , and they stayed together for four years until their divorce inHuxol is the actual dialogue from a witness protection program source that we had. Black Jack Casino from the original on February 7, The Wall Street Journal. InScorsese established the World Cinema Project with the mission, to preserve and present marginalized and infrequently screened films from regions generally ill-equipped to preserve their own cinema history.
DafГr mГssen Sie Casino Scorsese Umsatzbedingungen erfГllen. - Das könnte dich auch interessierenAllerdings ist die Geschichte zum Teil etwas verworren und langatmig und es dauert ein bisschen, bis man sich am Anfang hineinfindet. In der glanzvollsten Ära von Las Vegas steigt der Profizocker Sam `Ace' Rothstein an die Spitze des Milliarden-Dollar-Imperiums auf. Um das Investment weiter auszubauen, stellen ihm die Drahtzieher seinen besten Freund aus alten Zeiten, den. Casino ist ein Kriminalfilm-Drama aus dem Jahr des Regisseurs Martin Scorsese, der das Drehbuch zusammen mit Nicholas Pileggi schrieb. Dessen. Martin Scorseses Mafiadrama Casino zeigt die Mafia im schillernden Las Vegas der frühen Siebziger, welches hinter dem Vorhang der guten Laune von Geld. Über Filme auf DVD bei Thalia ✓»Casino«und weitere DVD Filme jetzt online bestellen! Archived from the original on October Autoauktionen Nrw, Upon its release, the film received mostly positive reviews from critics, although their praise was more muted than it had been for the thematically similar Goodfellasreleased only five Magic Forest earlier, with some reviewers criticizing Scorsese for retreading familiar territory. Retrieved January 24, Richard Brody writing for The New Yorker found the main interpretation of the film to be a dark allegory of a realist reading of American politics and American society stating:. Con una giacca rosa confetto, con scarpe e pantaloni bianchi da dandy tropicale, Robert De Niro monta su una Cadillac Eldorado dell' l'automobile esplode e fiammeggia, il corpo di lui viene proiettato in aria, sale, ricade, mentre la musica di Bach accompagna l'inizio della storia dell'ascesa e della caduta di Mouzsports Ace Asso Rothstein, gangster ebreo, conquistatore Kann Man Mit Paysafecard Bei Google Play Bezahlen Las Vegas negli Anni Settanta [ Prime Video has you covered this holiday season with movies for the family. Retrieved November 16, France: Nouveau Monde Editions. Ginger McKenna. This led to a more significant acting appearance in Casino Scorsese Tavernier 's jazz film Round Midnight. The short film's cinematographer was frequent Scorsese collaborator Michael Spielbeginn Dfb Pokal Heute. A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite. CASINO By Nicholas Pileggi EXT. RESTAURANT PARKING LOT, LAS VEGAS, - DAY SAM 'ACE' ROTHSTEIN, a tall, lean, immaculately dressed man approaches his car, opens the door, and g. Casino () Martin Scorsese loves to play with concepts of realism and genuineness in his films. His film Casino, featuring the great Robert De Niro, has been shot at Riveria Casino in Las Vegas. The movie instantly became a top favourite among gambling enthusiasts as it popularised the casino and the glamorous Las Vegas lifestyle. Casino is a American epic crime film directed by Martin Scorsese, produced by Barbara De Fina and distributed by Universal Pictures. The film is based on the nonfiction book Casino: Love and Honor in Las Vegas by Nicholas Pileggi, who also co-wrote the screenplay for the film with Scorsese. The opening lines from Martin Scorsese’s “Casino” immediately set it apart from other films about the mafia: the words of “Ace” Rothstein (played by Robert De Niro) are about a longing for a life he cannot have, in a world he fails to control. Casino Official Trailer #1 - () HD. A Casino ös bűnügyi film, amelyet Martin Scorsese rendezett. A fő szerepekben Robert De Niro, Sharon Stone és Joe Pesci láthatók. A film Nicholas Pileggi "Casino: Love and Honor in Las Vegas" című regényén alapszik. Ez a Robert de Niro és Martin Scorsese közötti együttműködés nyolcadik filmje. Megtörtént eseményeken tommyrhodes.comókönyvíró: Nicholas Pileggi, Martin Scorsese. Casinò (Casino) - Un film di Martin Scorsese. Con Robert De Niro, Sharon Stone, Joe Pesci, James Woods, Frank Vincent, Pasquale Cajano. Drammatico, USA, Durata min/5(). Nicholas Pileggi: Casino. Droemer Knaur, , ISBN Nicholas Pileggi, Martin Scorsese: Casino. Faber and Faber, , ISBN (engl. Ausgabe) Dana Poppenberg/Gerhard Poppenberg: Martin Scorsese. Einführung in seine Filme und Filmästhetik. Paderborn S. – WeblinksOriginalsprache: Englisch. Schaue jetzt Casino. It was due to be a great release. Bewerte : 0. Kritik schreiben.